By Brian Christopher Thompson
In Anthems and Minstrel indicates, Brian Thompson analyzes Lavallée’s tune, letters, and released writings, in addition to newspapers and track magazines of the time, to supply an in depth account of musical lifestyles in nineteenth-century North the US and the connection among track and country. Leaving Quebec at age 16, Lavallée travelled largely for a decade as musical director of a minstrel troupe, and spent a 12 months as a bandsman within the Union military. Later, as a performer and conductor, he equipped a repertoire that ready audiences for the intellectually tough tune of ecu composers and new track through his US contemporaries. His personal song prolonged from nationwide songs to comedian operas, and instrumental track, as he shifted among the worlds of classical and renowned track.
Previously portrayed as a humble French Canadian compelled into exile by means of lack of knowledge and injustice, Lavallée emerges the following as formidable, radical, bohemian, and entirely engaged with the musical, social, and political currents of his time. whereas nationalism and nation-building are vital to this tale, Anthems and Minstrel exhibits asks to which country – or countries – Lavallée and “O Canada” fairly belong.
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Extra info for Anthems and Minstrel Shows: The Life and Times of Calixa Lavallée, 1842-1891
Anthems and Minstrel Shows: The Life and Times of Calixa Lavallée, 1842-1891 by Brian Christopher Thompson